METALS

Huang Yulong's subjects have no faces. As Huang Yulong comments, ‘I put all my emotions into this guy in a sweater. I free the body from its head and facial features not to have it affected by irrelevant information. Instead, I hint at his personality and strength through the posture and body language. I use the hood to complete his figure; in fact, this hooded sweatshirt becomes the figure and the character itself.’